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      <image:title>Exhibits - Collect London - The Power of Objects - 2026 Atlantic Canadian Booth at Collect</image:title>
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      <image:title>Exhibits - Collect London - The Power of Objects - Darrell Desroche, representing PEI at Collect</image:title>
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      <image:title>Exhibits - Collect London - The Power of Objects - Wood turned pieces by Darrell Desroche</image:title>
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      <image:title>Exhibits - Collect London - The Power of Objects - Hands down the best booth at Collect</image:title>
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      <image:title>Exhibits - Collect London - The Power of Objects - Hanging flower pod by Ralph Simpson, Natural woven fibres</image:title>
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      <image:title>Exhibits - Collect London - The Power of Objects - Ayelet at Collect Somerset House, London</image:title>
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      <image:title>Exhibits - Collect London - Here + Now - Collect Atlantic Group 2025</image:title>
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      <image:title>Exhibits - Collect London - Here + Now - Wood carvings of Lucus MacDonald</image:title>
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      <image:title>Exhibits - Collect London - Here + Now - Rilla Marshall  and her weaving</image:title>
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      <image:title>Exhibits - Collect London - Here + Now - Ralph Simpson, natural fibre pods and Nancy Oakley pottery.</image:title>
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      <image:title>Exhibits - Collect London - Here + Now - pottery by Debra Kuzyk</image:title>
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      <image:title>Exhibits - Collect London - Here + Now - Atlantic Canada Booth at Collect 2025</image:title>
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      <image:title>Exhibits - Collect London - Here + Now - metal work of Kye-Yeon Son</image:title>
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    <lastmod>2026-07-24</lastmod>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/69fc7ff08fb6965673428224/0c852969-6f87-4ef6-a1aa-70b967bb788b/jim+aquilani+creative+obsessions.webp</image:loc>
      <image:title>Exhibits - Creative Obsessions 2020 - James Aquilani</image:title>
      <image:caption>I am obsessed with the ebb and flow of the natural world and its undeniable influence on manmade architecture. These two things can combine seamlessly or they can be at odds with one another. In creating my jewellery I choose to explore both options. Inspirations abounds on the beautiful Island I call home. Whether I’m out kayaking, walking the beaches and trails or just sitting in a cozy chair enjoying the view on a snowy Winter’s day (sketch pad my chair) I can’t help but be inspired. Because of a congenital heart defect I have needed three separate open heart surgeries. Through it all the design and creation of my jewellery has been my true salvation. I have even found inspiration while in the hospital. The tubes and wires surrounding me being reminiscent of tree branches and tentacles. Some of my biggest artistic breakthroughs have occurred during these difficult times. I enjoy using various metals in my work to mimic the myriad shapes and forms of the natural world thru age old Silversmithing techniques. When creating pieces that integrate metals, as well as organic materials, I am able to push the limits and express myself on a deeper level. As the execution of my designs has improved it has enabled me to further explore my obsession with nature and architecture. Consequently I am able to revisit and execute sketches from years ago. Designs that I had put on paper but were out of my reach technically, are now becoming a three-dimensional reality. My personal growth as an artist is never ending. This growth has inspired me to look further and further from home for inspiration. Further from Earth itself. I have begun to incorporate the unbounded possibilities of the illimitable expanse of space. www.Facebook.com/VitaminSeaStudio VitaminSea@Eastlink.ca Murray Harbour, PE Phone: 902-969-2039</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/69fc7ff08fb6965673428224/0a60aaed-673f-4492-b8a9-05d36f9a5799/nancy+cole+cfreative+obsessions.webp</image:loc>
      <image:title>Exhibits - Creative Obsessions 2020 - Nancy Cole</image:title>
      <image:caption>"My work thrives on interaction. It is a unique interdisciplinary process that bridges visual arts, textile arts, installation, performance, and new media. My work is as theoretically diverse as the people portrayed in them, a response to us as individuals in constantly changing times. I often select unconventional materials for my work, and the exposure to a limited range of materials only enhances my thematic process." Email: perrywinkle.cole@gmail.com instagram: perrywinkle</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/69fc7ff08fb6965673428224/c45d97bf-7822-4733-b240-58a045126e25/jamie+germaine+creative+obsessions.webp</image:loc>
      <image:title>Exhibits - Creative Obsessions 2020 - Jamie Germaine</image:title>
      <image:caption>“Woodland, Sea and Smoke” smoke fired and glazed ceramic My work in clay began when I was a university student in the '70s. While pursuing a degree in anthropology I discovered the pottery studio at the student union and was smitten. Since that time I have explored the medium of clay through both participating in workshops around the world and experimenting in my studio at home in South Melville, PEI. My surroundings of woodland and sea are reflected in the organic nature of the surfaces that I create on clay. I am intrigued by the versatility of clay and the ability to create textured environments within my pieces. A workshop in Italy in 2003 introduced me to the primitive technique of smoke firing. Since that time I have been focused on exploring the many facets of this alternative firing method. I am attracted to the subtle and earthy effects of the process that often remind me of the ancient artifacts I discovered while studying in Mexico. A recent body of work created for the exhibition “Smoke and Texture” represented a departure from my previous wheel thrown functional work, to hand built ceramic wall art and sculptural forms. The challenge of creating new work launched me in new and exciting directions that I continue to explore. Seaclay Pottery 1043 South Melville Rd Bonshaw, PE, C0A1C0 902-658-2415 www.seaclaypottery.com</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/69fc7ff08fb6965673428224/ec195a3f-a354-4940-b50d-d868c86eeb08/arlene+macausland+creative+obsessions.webp</image:loc>
      <image:title>Exhibits - Creative Obsessions 2020 - Arlene MacAusland</image:title>
      <image:caption>I will describe myself as a pattern designer and maker. I like to create geometric patterns inspired by circles, traditional quilt patterns and folk-art designs of animals. Texture and fibre are important elements in my creations, whether it comes from added beads and velvets or the pattern of light as the sun pours through a sharp tin punch piece. The desire to touch is equally as important as the visual. Who’s in your bubble? As the second season of the pandemic continues, we entertain ourselves with conversations of who we want in our bubble. Wool applique and wet felting piece inspired by the barnacles stuck on a rock and life on our Island in the Atlantic Bubble. 902 439 0885 www.twistedknickers.ca arlene@twistedknickers.ca Instagram/FB: @twistedknickersinc</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/69fc7ff08fb6965673428224/f2dfd946-7ce9-4d87-91cc-24983b15e16a/rilla+marshall+creative+obsessions.webp</image:loc>
      <image:title>Exhibits - Creative Obsessions 2020 - Rilla Marshall</image:title>
      <image:caption>The main focus of my handweaving / art practice has been to translate technical data about the landscape that surrounds us into tangible textiles. I have used statistics, graphs, and maps to chart the changes to the lives of Atlantic Canadians as well as the changes in our shorelines caused by erosion, climate change and development. These new works explore the theme of “Creative Obsession” through my compassionate investigation of a time in my life where I was obsessed with the patterns of my new baby. That obsession that was an attempt to gain a sense of control during the challenging transition to motherhood, and perhaps a substitute for an art practice that was temporarily on hiatus. Trying to create routine and stability in the ever-shifting terrain of new motherhood brought me new experiences within the landscape that surrounds my home through hundreds of nap walks with a baby carrier and hundreds of “snooze cruise” drives. I still find myself noting the landmarks of those excursions and reflecting upon the ever-evolving routines of parenthood within close proximity to home. Walking Nap 2019; 50” x 32” handwoven, cotton, handspun wool. Website: www.rillamarshall.com Email: rilla13@yahoo.com Phone: 902-213-7309</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/69fc7ff08fb6965673428224/729cede9-24c3-422c-9bb4-f4597140b52b/melissa+peter+paul+creative+obsessions.webp</image:loc>
      <image:title>Exhibits - Creative Obsessions 2020 - Melissa Peter Paul</image:title>
      <image:caption>Melissa is a Mi’kmaw woman from Abegweit First Nation, located on Epekwitk (PEI.) Growing up, Melissa was immersed in cultural teachings and was surrounded by a family of basket makers. She began her artistic expression at a young age,making regalia and beadwork, and is skilled in both traditional and contemporary styles. Melissa’s exposure to other Mi’kmaq artforms led her to quillwork, a traditional skill in which the ancestors of her maternal grandfather excelled. Melissa was accepted into an apprenticeship with Mi’kmaq Quill Art in 2015. Her training was grounded in the traditional insertion technique and utilized the study of both cultural teachings and formal material culture resources available through historic publications and museums. Quillwork is created by inserting porcupine quills, either dyed or kept natural, into birchbark. The pieces are then edged with quills, sweetgrass or spruce root. Over the course of her apprenticeship, Melissa learned techniques and protocols related to harvesting raw materials, as well as the complex geometry of traditional design work. Upon completion of her apprenticeship, Melissa has been integral in establishing a community of skilled quill workers. This community of quillers seeks to expand awareness of the art form and recently began working on collaborative projects. Melissa launched her professional career as a Mi’kmaq quill artist with her first solo exhibit at Receiver Coffee presented by This Town is Small in Charlottetown in 2019. She is heavily influenced by 20th century Mi’kmaw quillwork and she is supported in her harvesting efforts by her family. Melissa is proud to be passing the art on to her two sons and the broader community. Instagram: @mpeterpaul</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/69fc7ff08fb6965673428224/3be6b0dc-c71e-4955-ae29-c4226a5263f6/JodyRacicot_Turntable+creative+obsessions.webp</image:loc>
      <image:title>Exhibits - Creative Obsessions 2020 - Jody Racicot</image:title>
      <image:caption>My creative obsession with plastic laminate began ten years ago. Before that time I built furniture primarily in rare and exotic woods. Then in 2010, experimenting with recycled materials, I created a writing desk from salvaged wood, aluminum, steel and plastic laminate (Writing Desk, 2010). It was a major departure from my training. Writing Desk was entered in the juried Studio North exhibition at Toronto's Interior Design Show, IDS11, where it was a hit with the press and the public. The surprising appearance of vintage plastic laminate resonated with people who found it relatable. I heard a lot of kitchen table stories. I realized that the material triggered narrative and have used it in every major piece since. I collect and remove laminate from old tables using it as the featured material (Vanity, 2013) or in combination with wood and aluminum (Trifold Screen plus One, 2015), in functional (Mirror, 2018) and sculptural objects (Six Foot Ladder, 2014). Record Player on Concrete Stand (2019) is featured in the Creative Obsessions exhibition. It is made of concrete, steel, electronics, plywood, maple, ebony, arbutus and Formica solid surface - the same material used in counter tops. Record Player is both functional and sculptural; a synergy of materials reflecting my maturity as a furniture craftsman and designer. My one of a kind furniture is designed and built in my Canoe Cove home workshop. To my knowledge, no other fine furniture maker uses salvaged plastic laminates in the same way. jodyracicot.com</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/69fc7ff08fb6965673428224/f13547ee-fdc5-4068-8c9a-80af57d73430/ayelet+stewart+creative+obsessions.webp</image:loc>
      <image:title>Exhibits - Creative Obsessions 2020 - Ayelet Stewart</image:title>
      <image:caption>This collection of work expresses my fascination and awe with the ocean. I spend hours walking along the beach, marveling at the beauty that is left exposed by the tides. Sometimes I feel like a voyeur as I explore the flora, fauna, and the many sea creatures that have washed onto the shoreline. My designs are also inspired by the barnacle formations on rock clusters of shells, and the range of bright colours of seaweed I find floating in low waters. I have devoted months creating this collection of earrings, necklaces, and broaches attempting to capture the rich aesthetic of the ocean. I invite you to share my love of the ocean, its vivid colours, wonder, and beauty as you explore this collection. ayelet9@yahoo.com Instagram: @_aydesign Facebook: Ayelet Somekh Stewart</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/69fc7ff08fb6965673428224/5f64a8d4-8284-4cd9-9fb6-2d79a954f9a8/isako+suzuki+creative+obsession.webp</image:loc>
      <image:title>Exhibits - Creative Obsessions 2020 - Isako Suzuki</image:title>
      <image:caption>Inspired by both traditional and contemporary Neriage works, and determined to not follow the tradition, I taught myself how to create my own style of Neriage work by studying some Japanese masters’ work and by trial and error. I carefully assemble hundreds of layers of gradated coloured clay, from which I throw a piece on the wheel; the resulting work appears to have flowing motion with gradated bands which also creates three dimensional effects in viewers' minds. Hermann-Suzuki Pottery hspottery@gmail.com http://www.hspottery.com</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/69fc7ff08fb6965673428224/c830a6bf-eec7-4502-b75b-46e342972943/jane+whitten+creative+obsession.webp</image:loc>
      <image:title>Exhibits - Creative Obsessions 2020 - Jane Whitten</image:title>
      <image:caption>“Oh, I could knit that!!!”….. I am constantly seeing things in the landscape that I would love to knit. I’ve been knitting since childhood and find the repetitive movement and the automaticity helps keep me focused on other things going on around me. (The only time I don’t knit is when I’m driving.) Traditionally, knitters create functional pieces for protection and comfort: sweaters, hats, mittens, socks, long underwear. In this time of climate crisis, however, knitters are uniquely positioned to use their needles to help spread social, political, and environmental messages. Beach Blanket is the story of how our beaches give us great pleasure and comfort and that we also have a responsibility to protect them. Instagram: @janewhittenbasketry</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/69fc7ff08fb6965673428224/b03e3439-6c9e-40b5-b601-232f4ee16023/bette+young+creative+obsessions.webp</image:loc>
      <image:title>Exhibits - Creative Obsessions 2020 - Bette Young</image:title>
      <image:caption>I am inspired by the PEI landscape when I design and create my hooked pieces. Homesteads and old buildings are set in the rich colours of the fields, roads and shores that I love. I hand dye most of my wool, but also incorporate wool from old clothing. I especially enjoy hooking skies, which set the mood for my works. Bette Young Stratford, PEI (902)432-0200 Instagram @bettehooksrugs</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://circle-pelican-fb63.squarespace.com/exhibits/pei-craft-docs</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2026-07-24</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/69fc7ff08fb6965673428224/1784827765385-8R4615WC5V7D5K3IVB4M/Jess_poster.webp</image:loc>
      <image:title>Exhibits - PEI Craft Docs - Jessica Hutchinson</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/69fc7ff08fb6965673428224/1784827820538-NO9OYDQMRMG4C9CHSFO1/Rilla_poster.webp</image:loc>
      <image:title>Exhibits - PEI Craft Docs - Rilla Marshall</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/69fc7ff08fb6965673428224/1784827820761-PT7741FDG2WOOSOPD98G/Lucus_poster.webp</image:loc>
      <image:title>Exhibits - PEI Craft Docs - Lucus MacDonald</image:title>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/69fc7ff08fb6965673428224/1784827819554-GMH5DL1VL23DK41VFL8M/Jim_Poster.webp</image:loc>
      <image:title>Exhibits - PEI Craft Docs - Jim Aquilani</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/69fc7ff08fb6965673428224/1784827819731-Q44K684Z2FC59FMYEA09/Bette_poster.webp</image:loc>
      <image:title>Exhibits - PEI Craft Docs - Bette Young</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/69fc7ff08fb6965673428224/1784827818570-44TD99J7WE2CGRWEWAHR/Nora_poster.webp</image:loc>
      <image:title>Exhibits - PEI Craft Docs - Nora Richard</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/69fc7ff08fb6965673428224/1784827818417-NJQSZRL0XMM7U9ML83VI/Arlene_Doc_poster1.webp</image:loc>
      <image:title>Exhibits - PEI Craft Docs - Arlene MacAusland</image:title>
      <image:caption />
    </image:image>
  </url>
  <url>
    <loc>https://circle-pelican-fb63.squarespace.com/exhibits/new-definition-of-home-exhibit-confederation-art-gallery-charlottetown-october-16-2025-jan-16-2026-atk26-ytn8p</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2026-07-24</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/69fc7ff08fb6965673428224/5d3804a9-3439-4319-aa81-d4ddebf3fe5a/jim+yield.webp</image:loc>
      <image:title>Exhibits - Yield Exhibit 2022 - James Aquilani</image:title>
      <image:caption>COVID Series: Contained Copper, sterling silver, brass, liver of sulphur Once an invitation for a closer view, the intimate nature of jewellery became restricted with the advent of social distancing. The ring a rare exception, it could be outstretched from the wearer toward the viewer - bridging the gap between us, creating a moment of connection, yet still standing apart. COVID Series: Dissemination Sterling silver, brass, bronze, copper, liver of sulphur, silver black Composed of 127 components, “Dissemination” captures the frantic, frenzied confusion of the world grinding to a halt around us, and systems falling apart. The amazement of these moments will never be forgotten by those of us who experienced this panic, and those who fought to keep things together. COVID Series: And So It Began... Sterling silver, brass, copper, bronze In the early days of the pandemic as the virus began its meteoric rise, it shifted from subtle concern, toward an aggressive explosion. The separation of sections within this piece are purposeful, representing the many ways the virus spread and shifted - slowly in some areas, while astronomically in others.</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/69fc7ff08fb6965673428224/08a1de15-2770-4104-ad23-9c5413917c08/nancy+yield1.webp</image:loc>
      <image:title>Exhibits - Yield Exhibit 2022 - Nancy Cole</image:title>
      <image:caption>Amelia Embroidery, archival photograph, porous pen, no. 10 crochet cotton Through portraits taken by the artist during an independent residency in the remote high mountains of central Portugal, these photographs are augmented with embroidery that evokes an unsettling sense of the ubiquitous pandemic mask, reflecting the disturbing and dangerous times we continue to face.</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/69fc7ff08fb6965673428224/b33f62f1-9a47-4c85-9500-840896819841/nancy+yield+2.webp</image:loc>
      <image:title>Exhibits - Yield Exhibit 2022 - Nancy Cole</image:title>
      <image:caption>Lamentations Embroidery, archival photograph, porous pen, no. 10 crochet cotton</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/69fc7ff08fb6965673428224/2d549019-1450-48fd-9322-66f5f177676e/Eptek-28.webp</image:loc>
      <image:title>Exhibits - Yield Exhibit 2022 - Donnalee Downe</image:title>
      <image:caption>Mother and Child Vintage garments, watercolour on wood panel Artist Donnalee Downe is currently exploring personal narratives through the lens of remembered fabrics. Mother and Child - a diptych which includes the artist's first “art” apron and her own child's favourite shirt - considers how fabrics yield over time, a recurring theme in her current research.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/69fc7ff08fb6965673428224/2c392275-5a51-40d2-a8d3-c0ade492933c/pod+life.webp</image:loc>
      <image:title>Exhibits - Yield Exhibit 2022 - Jamie Germaine</image:title>
      <image:caption>Pod Life Ceramic, wood A reflection of a time that required slowing down, sheltering in place, and "cocooning", this fuelled experimentation in the studio, leading to new works such as this piece: centred on growth, protection, and shelter.</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/69fc7ff08fb6965673428224/d7f67743-090e-49e7-b9c1-d6e291bd2a69/36+string+celtic+harp.webp</image:loc>
      <image:title>Exhibits - Yield Exhibit 2022 - Kieren Hall</image:title>
      <image:caption>36 String Celtic Style Harp Prince Edward Island curly maple An evocative symbol of the role music plays in our lives, the 'Raven Harp' is a statuesque instrument in waiting. A stoic reminder of the empty concert halls and the deafening quiet that filled our lives - and the profound power of the songs that the future will bring.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/69fc7ff08fb6965673428224/968520c1-f0b6-489c-bc7a-f5201bef226d/familar+places+worn+out+spaces.webp</image:loc>
      <image:title>Exhibits - Yield Exhibit 2022 - Heather Learie</image:title>
      <image:caption>Familiar Places and Worn Out Spaces Embroidery thread on raw canvas The bathroom is a familiar place loaded with various textiles and textures. With pandemic-fueled stay at home orders in place, even more time was spent within the home. The normally overlooked and worn-out pieces of everyday life suddenly became an inspiration.</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/69fc7ff08fb6965673428224/fc0f389f-8b99-41e0-9da6-5c1dfc45276c/light+bulb+quilt.webp</image:loc>
      <image:title>Exhibits - Yield Exhibit 2022 - Heather Jarmyn</image:title>
      <image:caption>Lightbulb Cotton, essex linen, 80/20 batting, aurifil thread The pandemic forced us to look at ways of connecting differently, and to discover what we can do while sheltering in place. When we slow down, and step outside of our entrenched patterns we find room to explore the next bright idea.</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/69fc7ff08fb6965673428224/bbd0b7a3-f573-4006-9401-bdea9357ff8e/concedence.webp</image:loc>
      <image:title>Exhibits - Yield Exhibit 2022 - Lucus MacDonald</image:title>
      <image:caption>Concedence Walnut Using only hand tools, the repetitive and meditative patterns radiate energy, reflecting and illuminating life itself in solid form. Each line representing the event of its own creation, we make our mark - and centre ourselves through the tangible, the tactile, and the real.</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/69fc7ff08fb6965673428224/599a886a-4dd4-4777-883c-808917ffa006/rilla+marshall.webp</image:loc>
      <image:title>Exhibits - Yield Exhibit 2022 - Rilla Marshall</image:title>
      <image:caption>Weighted Lines # 1 – 6 Handwoven painted cotton, ikat dyed raw silk The land is constantly yielding to the sea on PEI, seen in the annual rate of erosion and our transforming coast. By stripping shorelines down to basic geometry and vertical weighted lines, this series of complementary colour relationships evoke a hazy feeling of transitional space.</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/69fc7ff08fb6965673428224/5d21606e-8ed2-4844-90b7-8ab6e5fa5838/Robert+McMillan.webp</image:loc>
      <image:title>Exhibits - Yield Exhibit 2022 - Robert McMillan</image:title>
      <image:caption>Vase Form Ceramic Reminiscent of the environment and landscape of PEI, the locally sourced clay used to create this work binds it to a specific place and time - the land itself, frozen in form, honouring the beauty and stability of a place rocked by change, but strong enough to withstand.</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/69fc7ff08fb6965673428224/ad877a77-e8f7-43c8-84c8-3223585d1e3e/Eptek-18.webp</image:loc>
      <image:title>Exhibits - Yield Exhibit 2022 - Mel Montgomery</image:title>
      <image:caption>Yield, Slow, Stop Wool, cotton, wood The disorienting pattern and disruptive colour palette of 'Yield, Slow, Stop' fuels the mimicry of confusion and panic that was rife throughout this time. The flow of this repeating pattern is contained by a firm red line - a forced stop for which no person or system was prepared.</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/69fc7ff08fb6965673428224/8ea8981a-7ceb-44b5-80fe-1f059ed6c700/jody+racicot+yield.webp</image:loc>
      <image:title>Exhibits - Yield Exhibit 2022 - Jody Racicot</image:title>
      <image:caption>Red Dogwood Steel rod, nails A product of the physical limitations of the pandemic era, 'Red Dogwood' reflects the natural environment of the artist's home studio, created with materials available at hand. Intimate and familiar, the discarded nest of nails is tangled within a shrub, bent by the wind - but holding still.</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/69fc7ff08fb6965673428224/e09f9d8c-a613-4a16-b96b-52bcdfcf9b99/nora+yield1.webp</image:loc>
      <image:title>Exhibits - Yield Exhibit 2022 - Nora Richard</image:title>
      <image:caption>Cherokee Gathering Basket Natural reed / navy blue reed The creative process of basket weaving pairs patience, detail, and creativity - three skills of great value during a time of intense societal change. A calming and meditative practice, the flow it provides can be a great relief from the heavy burdens we carry each day.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/69fc7ff08fb6965673428224/68fb2aac-5448-43d6-a636-202c823235c5/nora+yield+2.webp</image:loc>
      <image:title>Exhibits - Yield Exhibit 2022 - Nora Richard</image:title>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/69fc7ff08fb6965673428224/ff9d8214-b4f2-4383-b1b8-46863f40a921/velda+roy+quilt.webp</image:loc>
      <image:title>Exhibits - Yield Exhibit 2022 - Velda Roy</image:title>
      <image:caption>Down the Road Quilt Contributors: Liz Dempsey, Lucinda Harbottle, Heather Jarmyn, Cathy Kay, Leigh Anne Matthews, Cathy Victor Quilting cotton Each improvised quilt block represents a location on PEI that the artists wished to visit, or to return to, once restrictions lifted. A patchwork of well-known Island landmarks and lesser known locales, this map of memories and longing is a reminder of time lost, and the comfort of places held in our hearts. Heather Jarmyn: Teacup Rock Cathy Victor: Round Hay Bales Near Home Cathy Kay: Piping Plover Liz Dempsey: St. Peter’s Church Leigh Anne Matthews: View From Atop the Ferris Wheel Lucinda Harbottle: Beaches Velda Roy: The Dunes at Blooming Point, Tea Cup Rock x 2, Confederation Bridge, Mouth of the Harbour/Charlottetown Boardwalk, Confederation Trail Nearby Morrell, Covehead Lighthouse, Overlooking the Bay in Stanhope, Beach Day in Cavendish, Doyle’s Cove in North Rustico, Confederation Trail Nearby Hunter River. In memory of Lucinda Harbottle, who lost her battle with pancreatic cancer less than two weeks after she completed her block.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/69fc7ff08fb6965673428224/96cfc7b0-ce91-4c30-a39d-8f0dd2b9f102/sprouted+susanna+rutherford.webp</image:loc>
      <image:title>Exhibits - Yield Exhibit 2022 - Susana Rutherford</image:title>
      <image:caption>Sprouted Stained glass, lead, wood "Sometimes when you're in a dark place you think you've been buried, but you've actually been planted" - Christine Caine Whether lost in the unknown of the pandemic, or seeking a new path forward from any challenge - light can be found in the strength that grows from our lowest points.</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/69fc7ff08fb6965673428224/7132efa8-d570-41cc-89a3-8a3b3e5f3df0/covid+blues+susanna+rutherford.webp</image:loc>
      <image:title>Exhibits - Yield Exhibit 2022 - Susana Rutherford</image:title>
      <image:caption>Covid Blues Stained glass, lead, wood Covid Blues represents the severing of our circles of community by the pandemic and was created in the era of lockdowns and separation.</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/69fc7ff08fb6965673428224/6b3f971a-2e65-47fb-a54a-1c2d803c1ae0/mend+series+1.webp</image:loc>
      <image:title>Exhibits - Yield Exhibit 2022 - Sarah Saunders</image:title>
      <image:caption>Mend Series: Mittens 01, Sweater Porcelain A celebration of beauty in the imperfect, these porcelain sculptures capture in precise detail every thread, fold, and surface of the textiles they eternalized. These former wearables are frozen in time, evoking the distance we experienced between us at a time when space, connection, and touch were fraught with emotion.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/69fc7ff08fb6965673428224/348a2f7b-7516-4416-8923-a711a813f383/mend+series+2.webp</image:loc>
      <image:title>Exhibits - Yield Exhibit 2022 - Sarah Saunders</image:title>
      <image:caption>Mend Series: Shirt, Mittens 02 Porcelain</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/69fc7ff08fb6965673428224/99965af9-42d9-496e-9d0b-2e951db0cf04/ayelet+stewart+new+growth+yield.webp</image:loc>
      <image:title>Exhibits - Yield Exhibit 2022 - Ayelet Stewart</image:title>
      <image:caption>New Growth Collection: 1. Lilly Pond Brooch, 2. Open Flower Pendant, 3. Growth Brooch, 4. From the Earth Brooch, 5. Looking Up-Close Brooch Enamel, copper, silver The pandemic was an opportunity to rethink - redirect - and restart. With more free time as the new normal, the artist explored the land, interpreting it through technical and aesthetic challenges. Inspired by studies of new growth in the natural world, these lively pieces are precious, playful, and powerful amulets of personal growth.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/69fc7ff08fb6965673428224/6f945fb0-597a-4ecf-8d52-bd6584c33870/mussels+jane+whitten.webp</image:loc>
      <image:title>Exhibits - Yield Exhibit 2022 - Jane Whitten</image:title>
      <image:caption>Mussels Plastic (surplus waste material provided by 'The Handpie Company' from their packaging process), wire, dental floss Mussels have long been a food source on PEI. Healthy mussels depend on clean, toxin-free waters, and climate change is impacting yields. The production of plastic is a major contributor to climate change, from the presence of micro-plastics in the water, to sea temperature rises, to extreme weather events.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://circle-pelican-fb63.squarespace.com/exhibits/new-definition-of-home-exhibit-confederation-art-gallery-charlottetown-october-16-2025-jan-16-2026-atk26</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2026-07-23</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/69fc7ff08fb6965673428224/53ce3fda-f057-42cb-8bcc-b75bd7e45067/jim+fiona.webp</image:loc>
      <image:title>Exhibits - Destruction Recrafted: Hurricane Fiona Up Close and Personal - James Aquilani</image:title>
      <image:caption>I(t) came. I saw(ed). I conquered. – ring Birch bark, sterling silver, chainsaw links, epoxy, and nail polish The chainsaw links represent the massive amount of cutting and cleaning up of the trees downed by Fiona. The birch bark is from one of the hundreds of trees we lost around the studio during the storm Years In Days – pendant In-house cast sterling silver cuttlefish, steel roofing The cuttlefish cast silver represents the wind and waves that occurred during Fiona and the rusted steel (from a neighbour’s roof) represents the heavily eroded red cliffs of PEI. Still Standing - cuff Copper, sterling silver, in-house sand-cast White Pine needles with patina for contrast The centre of the cuff represents the trees that withstood the storm and remained upright, their silhouettes visible through the mist that lingered the next morning. The cast branches represent the trees that didn’t make it. Windthrow – earrings In-house cast sterling silver cuttlefish, copper, and Hawthorn tree thorns The cuttlefish cast silver represents the wind and waves that occurred during Fiona and the copper represents the root balls of the uprooted trees. The Hawthorn thorns represent the trees that blew down. (Windthrow: Windthrow occurs when trees are toppled by wind; trees are uprooted as they topple over.)</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/69fc7ff08fb6965673428224/031f7e68-51c6-443f-82f5-7b77f1e4f50a/alex+fiona.webp</image:loc>
      <image:title>Exhibits - Destruction Recrafted: Hurricane Fiona Up Close and Personal - Alex Bevan Baker</image:title>
      <image:caption>Fiona “Treepot” Set Stoneware - Wild Clay Glaze I think of my teapot set as a playful twist to what was otherwise a devastating loss. Finding beauty amongst the aftermath of Hurricane Fiona seemed far fetched. For the shape of my vessels, I drew inspiration from the torn limbs scattered across the Island. Muddy banks exposed wild clay that I used in the glaze. Again, trying to shed amusement and light on a dark subject, the set is whimsical in form. To stay true to functionality, only one spout pours liquid. There is always a level of comfort with a cup of hot tea.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/69fc7ff08fb6965673428224/9491e372-d18c-4232-9e82-05ed41c3e3c5/ellen+fiona.webp</image:loc>
      <image:title>Exhibits - Destruction Recrafted: Hurricane Fiona Up Close and Personal - Ellen Burge</image:title>
      <image:caption>New Habitat Stoneware, multiple firings, underglazes, and sodium Many fallen trees have opened the earth, exposing roots and creating new habitats for many creatures. This piece was partially fired to represent the abrupt power failure during the storm.</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/69fc7ff08fb6965673428224/00c03335-6052-4152-909d-44ae0d1402fa/ellen+fiona+2.webp</image:loc>
      <image:title>Exhibits - Destruction Recrafted: Hurricane Fiona Up Close and Personal - Ellen Burge</image:title>
      <image:caption>Pine Globe Stoneware, pine needles, waxen thread This hand-built globe reflects natural features of the earth.  The pine needles are from fallen trees.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/69fc7ff08fb6965673428224/5db24536-f40f-4f5d-8562-6c1c6e4feb67/ashley+fiona.webp</image:loc>
      <image:title>Exhibits - Destruction Recrafted: Hurricane Fiona Up Close and Personal - Ashley Anne Clark</image:title>
      <image:caption>Regenerative Forest Ink, watercolour, acrylic, Sugar Maple branch, Birch branch, lichen, wood glue, paper, seaweed, fixative and Varathane on wood This artwork grieves the loss of the many trees that were taken out by Hurricane Fiona. We form attachments to these long-living plants and learn so much from them. The more we learn about trees, the more we understand how interconnected they are. It is upsetting to see their lives cut short. The piece also depicts new life sprouting from the wreckage, representing the regenerative powers of the forest and inspiring us to do the same.</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/69fc7ff08fb6965673428224/dbab212a-de72-491f-9599-55293d2e9815/fairouz+fiona.webp</image:loc>
      <image:title>Exhibits - Destruction Recrafted: Hurricane Fiona Up Close and Personal - Fairouz Gaballa</image:title>
      <image:caption>The Cozy Nook Wood, foamboard, popsicle sticks, cardboard, terrycloth, fabric, and cord This sculpture represents the hurricane as both a literal and metaphorical entity, capturing the essence of my personal experience with Hurricane Fiona. The room appears to be a real living space…however, outside the giant window, you see two birds flying amidst darkness and rain reminiscent of the storm. I found solace during the storm by reading books, which provided me with a comforting escape from the chaos outside.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/69fc7ff08fb6965673428224/61e308a4-7e96-4550-8e33-61b90ac5dd6e/trudy+fiona.webp</image:loc>
      <image:title>Exhibits - Destruction Recrafted: Hurricane Fiona Up Close and Personal - Trudy Gilbertson</image:title>
      <image:caption>And When the Power Came Back On…They Danced! Naturally shed deer antler on driftwood After Hurricane Fiona, we spent 13 days without power or running water. When the power came back on, there was much celebration.  The antler, is a matched set of naturally shed white tail deer antler from a ranch in Alberta.  I picked up this piece of driftwood in December, on the Range-Light Wharf in North Rustico Harbour, where large piles of debris were left behind in the wake of Hurricane Fiona.  Using a broken piece of driftwood for the base, loosely borrows from the Japanese philosophy of “wabi-sabi”: the concept of seeing and embracing the beauty of imperfection and impermanence in nature.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/69fc7ff08fb6965673428224/d898bced-b8ef-4d9a-8c75-7123d7c6f66c/jessica+fiona1.webp</image:loc>
      <image:title>Exhibits - Destruction Recrafted: Hurricane Fiona Up Close and Personal - Jessica Hutchinson</image:title>
      <image:caption>Fiona’s Ashes Red and white stoneware, pit fired with organic waste, salt, driftwood and wood from fallen spruce and apple trees. On my tiny property alone, I lost seven large trees. I spent weeks cleaning up debris and brush. I found myself having many bonfires and realized that I could easily turn these debris fires into pit firings. Seven pinch pots decorated by the ash, smoke, and fire of seven trees.</image:caption>
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      <image:title>Exhibits - Destruction Recrafted: Hurricane Fiona Up Close and Personal - Jessica Hutchinson</image:title>
      <image:caption>Soup for Days Hand-built red stoneware; ash glaze from fallen spruce and apple trees; driftwood from post-Fiona beach walk I made these driftwood spoons in response to spending 18 days without power. My family and I mostly ate things that were easy to cook on our propane camp stove: soup, beans, lentils, stew, curry, and more soup – all things enjoyed with spoons. I wanted these spoons to look very basic, primal or caveman-like to mirror the primitive feelings and sense of despair that I was succumbing to on Day 18 of no power.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/69fc7ff08fb6965673428224/c1a745a4-d458-4675-8c57-f7e85d43079e/cathy+fiona.webp</image:loc>
      <image:title>Exhibits - Destruction Recrafted: Hurricane Fiona Up Close and Personal - Cathy Murchison Krolikowski</image:title>
      <image:caption>Portrait of Fiona Stained glass My family has always had a close connection to the sea…I’d never felt the danger that the ocean can become. Fiona showed her fierce face to us in the Maritimes and has left us changed physically and emotionally. This is how I conjured her face as the storm raged through the night.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/69fc7ff08fb6965673428224/06c207a8-54cc-4b93-8a48-6f9a3c580d8e/arlene+fiona.webp</image:loc>
      <image:title>Exhibits - Destruction Recrafted: Hurricane Fiona Up Close and Personal - Arlene MacAusland</image:title>
      <image:caption>Green Shadow Tea Cozy Cotton tea towel indigo dyed with Ori Nui stitching and Shirokage (white shadow) felt resists, overdyed with green The indigo vat I used was created on the back deck of the PEICC in the shade of a lovely tree which was uprooted during Fiona. (Thankfully I moved the vat inside PEICC two days before Fiona hit.) I fondly refer to the tea cozy as Green Shadow in memory of that lost tree. This piece was dyed in the week following Fiona and is a reminder of the slower lifestyle we experienced; boiling water on a camp stove, gin rummy, puzzles and hand stitching. Patched Roof, Not so Cozy Felt resist with thread and picture wire. After Fiona, we patched our roof with leftover tarps from camping and the wood pile. This is a reminder of the not so cozy feelings: sounds of dripping water from a leaky roof, frayed nerves and power lines.  Blowdown, Not so Cozy Thread and moss. Wind snap and root balls, and the uncomfortable awareness of climate change.</image:caption>
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      <image:title>Exhibits - Destruction Recrafted: Hurricane Fiona Up Close and Personal - Lucus MacDonald</image:title>
      <image:caption>Branches Trembling Aspen windfall branches, paint These branches were recycled from the aftermath of Fiona, and their new form mirrors the infinite cycle of life and death that is present in the natural world. Eventually, no matter what is done, the branches will decay, return to the earth, and become nourishment for new life to grow. The process of destruction and rebirth is a reminder that everything is connected and the cycle of life is never truly broken.</image:caption>
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      <image:title>Exhibits - Destruction Recrafted: Hurricane Fiona Up Close and Personal - Rilla Marshall</image:title>
      <image:caption>Found Lines Hand woven with cotton, Dogwood, and fern After the destruction of Fiona, I found my eyes scavenging the ditches for colour. Without the autumn colours of the leaves, the colours of the rural Island ditches brightened [and] I was especially drawn to the deep burgundy red of the Red Osier Dogwood. Using stems as my weft, weaving on my floor loom, I wanted to create patterns emphasizing the diagonal lines of our fallen forests.</image:caption>
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      <image:title>Exhibits - Destruction Recrafted: Hurricane Fiona Up Close and Personal - Noella Moore</image:title>
      <image:caption>Blue Jay Birch bark and dyed porcupine quills. As a Mi’kmaw artist, it has always been important for me to find materials for my work in nature. Many birch trees came down during the storm, which was sad to see, but it has provided lots of material for my quillwork backing. This piece looked perfect for a Blue Jay on a branch. The storm could not keep them from ‘singing’ the next day.</image:caption>
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      <image:title>Exhibits - Destruction Recrafted: Hurricane Fiona Up Close and Personal - Julia Purcell</image:title>
      <image:caption>Ode to a Downey Woodpecker: Love, Loss and Renewal Linocut, archival inks, printmakers paper Some time ago, I came across the body of a lifeless woodpecker while out for a walk near my home. I have reimagined him and a mate as victims of the tropical storm Fiona. With a background of shattered trees, the woodpeckers become the heroes of my linocut series. One of the woodpeckers is killed in the storm and the other survives to return the following spring with a new mate…a story about love, loss, and renewal. Countless small animals and birds were threatened by the powerful winds of Fiona. The aftermath of this storm will be felt for a very long time.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/69fc7ff08fb6965673428224/162d4d58-6608-4d7e-ad65-5e8ebe0f3f32/nora+fiona.webp</image:loc>
      <image:title>Exhibits - Destruction Recrafted: Hurricane Fiona Up Close and Personal - Nora Richard</image:title>
      <image:caption>Red Osier Basket Dogwood and pine …to me, there was a beauty in what was left behind. Regardless of Fiona, the Red Osier Dogwood stayed standing, where the big trees that looked so sturdy were destroyed. This basket represents the resilience I saw after the hurricane and destruction.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/69fc7ff08fb6965673428224/47c8deab-efe5-4119-add6-6f27679c6e8c/ayelet+fiona.webp</image:loc>
      <image:title>Exhibits - Destruction Recrafted: Hurricane Fiona Up Close and Personal - Ayelet Stewart</image:title>
      <image:caption>Memory Keepsakes for Fiona Debris Silver, copper, jade, pearls, moss, lichen and grass Witnessing the devastation…left me feeling helpless and wanting to do something to honour and preserve what was left. I found myself drawn to the moss, lichen, bark, and little treasures blown away from their mother tree and scattered on the ground. These findings that are seemingly worthless are precious to me, so I had the idea of creating keepsake capsules for the debris…serving as a physical reminder of the power of nature and the importance of cherishing and protecting our environment.</image:caption>
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      <image:title>Exhibits - Destruction Recrafted: Hurricane Fiona Up Close and Personal - Jane Whitten</image:title>
      <image:caption>Ode to Lichen Crocheted wool, dyed with lichen from felled trees, knitted embroidery thread and stainless steel wire Lichens look like doilies…they drape over rocks and branches like they might be protecting them. Lichens are critical to the environment and are very slow growing. How many lichens have we lost on the trees that have been felled because of Fiona?</image:caption>
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      <image:title>Exhibits - Destruction Recrafted: Hurricane Fiona Up Close and Personal - Bette Young</image:title>
      <image:caption>The Fiona Handbag birch bark, branches, moss, dyed wool and linen</image:caption>
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    <lastmod>2026-07-22</lastmod>
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      <image:caption>Somerset House, London UK.</image:caption>
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      <image:caption>Here and Now Brochure for Atlantic Canada representatives</image:caption>
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      <image:title>Exhibits - Collect London 2024 - Here + Now - Make it stand out</image:title>
      <image:caption>Somerset House, London, UK</image:caption>
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      <image:title>Exhibits - Collect London 2024 - Here + Now - Rilla Marshall</image:title>
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      <image:title>Exhibits - Collect London 2024 - Here + Now - Key_Yeon Son with her piece that sold to the V &amp;amp; A Museum</image:title>
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      <image:title>Exhibits - Collect London 2024 - Here + Now - Jessie Anne Fraser, Mengnan Qu and Sorrel Van Allen</image:title>
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      <image:title>Exhibits - Collect London 2024 - Here + Now - Bruno Vinhas, Kelly Jerrott and the High Commission of Canada in the UK, Ralph Goodale</image:title>
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      <image:title>Exhibits - Collect London 2024 - Here + Now - Gordon Sparks, Atlantic Craft Canada</image:title>
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      <image:title>Exhibits - Collect London 2024 - Here + Now - Atlantic Craft Canada</image:title>
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      <image:title>Exhibits - Collect London 2024 - Here + Now - Atlantic Craft Canada</image:title>
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      <image:title>Exhibits - Collect London 2024 - Here + Now - Atlantic Craft Canada &amp;amp; Ayelet Stewart</image:title>
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      <image:caption>Cockpit Arts Studio</image:caption>
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      <image:caption>Collect 2024, Atlantic Craft Canada</image:caption>
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  <url>
    <loc>https://circle-pelican-fb63.squarespace.com/exhibits/60th-anniversary-of-the-pei-crafts-council</loc>
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    <lastmod>2026-07-22</lastmod>
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      <image:title>Exhibits - 60th Anniversary Of the PEI Crafts Council - Macédoine of Metals. Jim Aquilani, 2025.</image:title>
      <image:caption>Hammered and embossed sterling silver and copper; hand-coiled copper wire; hand-forged silver ear wires and brass and silver clasp Macédoine definition – A medley of unrelated items. This necklace was created using 120 separate pieces of sterling silver, brass and copper. All the components were handmade from scratch. The textures were achieved using 17 different items ranging from fabric to chicken wire as well as hammers and files. The contrast of the textures was enhanced with a dark patina. The individual discs swing back and forth on tubing “hinges” so that the necklace does not stay static but moves with the wearer! My intent was to make something visually pleasing as well as providing a tactile element. I find immense joy in bringing my sketches to life! The earrings were created using the same processes… but with far fewer pieces.</image:caption>
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      <image:title>Exhibits - 60th Anniversary Of the PEI Crafts Council - Sunset. Ruth Aquilani, 2025.</image:title>
      <image:caption>Hand-appliquéd, hand-painted, and embellished quilt; cotton and novelty yarn 23 inches by 20 1/2 inches This Sunset quilt was inspired by a photograph taken at sunset while vacationing on a beach Up West on Prince Edward Island.</image:caption>
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      <image:title>Exhibits - 60th Anniversary Of the PEI Crafts Council - Hanging On. Ruth Aquilani, 2025.</image:title>
      <image:caption>Hand-appliquéd quilt; cotton This Hanging On quilt is a variation of the Autumn Leaves pattern from the 1930s. I modernized it by using bright and bold fabrics, focusing on a centre panel, and designing the leaves border and leaves quilting design to tie it all together.</image:caption>
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      <image:title>Exhibits - 60th Anniversary Of the PEI Crafts Council - Good Things Come in Threes. Alex Bevan-Baker, 2025.</image:title>
      <image:caption>Shallow bowl - white stoneware clay, cobalt crystalline glaze Medium serving bowl - porcelain clay, cobalt crystalline glaze Large bowl - grogged stoneware clay, cobalt crystalline glaze Trio of large bowls showcasing the same base crystalline glaze across three different clay bodies. Each wheel thrown bowl has subtle nuances amongst the crystal growth, based on its type of clay. All three were fired as a group on the same shelf in the Kiln.</image:caption>
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      <image:title>Exhibits - 60th Anniversary Of the PEI Crafts Council - Resilience in Reverence. Ellen Burge, 2025.</image:title>
      <image:caption>Pine needles, clay, waxed thread 13” X 4 1/2” A handwoven bowl crafted from red pine needles and clay, drawing inspiration from traditional Indigenous techniques. The pine needles were foraged in the aftermath of Hurricane Fiona, gathered from the windfall in French Village, Prince Edward Island. This piece is both a tribute to ancestral knowledge and a meditation on nature’s cycles of destruction and renewal.</image:caption>
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      <image:title>Exhibits - 60th Anniversary Of the PEI Crafts Council - Shining Through. Nancy Cole, 2025.</image:title>
      <image:caption>Contemporary embroidery, photograph My mother’s 95th birthday when she was invited as a special guest at an International Women’s Day party.</image:caption>
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      <image:title>Exhibits - 60th Anniversary Of the PEI Crafts Council - Murmurations. Nancy Cole, 2025.</image:title>
      <image:caption>Contemporary embroidery, photograph Murmurations is about continuing sibling rivalry and shoes. My older sister had shiny patent leather shoes that I coveted. My orthopedic shoes always made me cry. Finding this old photo was a treasure.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/69fc7ff08fb6965673428224/777400c6-0435-481d-a2f6-d1b081b283ff/darryl+2025.webp</image:loc>
      <image:title>Exhibits - 60th Anniversary Of the PEI Crafts Council - Tide’s Out. J. Darrell Desroche, 2025.</image:title>
      <image:caption>Hand-turned red island oak; stained Woodturned thin-walled local oak vessel that was dried in the microwave, sandblasted and chemically ebonized with a mixture of vinegar and steel wool. Finally finished with my own recipe of 1/3 polyurethane, 1/3 mineral spirits, and 1/3 boiled linseed oil.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/69fc7ff08fb6965673428224/40c46a68-238e-406c-95e9-2a065c7dd330/holly+2025.webp</image:loc>
      <image:title>Exhibits - 60th Anniversary Of the PEI Crafts Council - A Summer’s Meadow. Holly Anne Doyle, 2025.</image:title>
      <image:caption>A Summer’s Meadow Red stoneware with glazed floral design Sea Folk Plates Glazed red stoneware (not pictured) Having been born and raised on Prince Edward Island, I can not help but be inspired by the beauty of my surroundings. I find myself often trying to recapture the feeling of my childhood in my work. The wildflowers on my pieces are from a meadow I used to run through as a child. Old farmhouses and hayfields were what passed mye by on a drive through the countryside. And the lighthouses fascinated me with their quiet beauty and history and I often romanticized them imagining them to hold all the secrets of the sea.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/69fc7ff08fb6965673428224/e772166c-45f2-49cc-9fb0-1d5bd60b0591/chelsea+2025.webp</image:loc>
      <image:title>Exhibits - 60th Anniversary Of the PEI Crafts Council - Inheritance: Exploration. Inheritance: Tranquility. Chelsea Farrell.</image:title>
      <image:caption>Hand-felted wool and novelty fibres My work uses the intricate textures of wool and mixed fibers to create a tactile experience. In these two pieces I explore epigenic inheritance, the idea of inheriting my mother's environmental experiences and in turn passing those down to my three kids. The first piece titled "Inheritance; Exploration" takes me back to rainy spring days where my mother and I would connect the puddles using sticks across our country dirt road. The second piece titled "Inheritance; Tranquility" has two meanings for me. This view of my cottage reminds me both of the peace I feel while at one of my favorite places and also the loss I felt when accepting my mother would no longer return there. I enjoy wool as my canvas because it is so versatile and clearly felt. Through the layering of fibers I am able to tell my own stories organically and show how these experiences have left imprints to be passed down through generations.</image:caption>
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      <image:title>Exhibits - 60th Anniversary Of the PEI Crafts Council - Pod. Trudy Gilbertson, 2025.</image:title>
      <image:caption>Carved beef bone; vintage frame When I began to carve 35 plus years ago, I worked in wood. But after living for a year in the Northwest Territories, and a trip to New Zealand, where bone carving is widely practiced, I switched to mainly working with beef bone and antler. Whales have always been my favourite subject matter to carve. Big, small, singles, pairs or groups - I have carved them in antler, wood, soapstone and beef bone. These humpback whales are carved from locally sourced beef bone and are mounted in a vintage, up-cycled frame. Texture and blue metallic paint against a black background create a sense of depth and movement in the ocean.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/69fc7ff08fb6965673428224/97c3eb0f-95f1-41bd-8e0b-66c2948c887c/steve+2025.webp</image:loc>
      <image:title>Exhibits - 60th Anniversary Of the PEI Crafts Council - The Twain. Steve Leard, 2025.</image:title>
      <image:caption>Knotty pine treated with tung oil then box was sealed with water based varnish. 20"L x 9"W x 10"D When I was designing the box it was my intent to use the front/back and two sides to represent the push and pull of forces for better or worse, presently at work on humanity. (Man and nature. Religion and science.) The top was to represent The Twain we have to traverse to achieve a path forward.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/69fc7ff08fb6965673428224/1a953473-3480-4c66-a75d-79c1438d3303/arlene+2025.webp</image:loc>
      <image:title>Exhibits - 60th Anniversary Of the PEI Crafts Council - The Housing Shortage and Dune Grass. Arlene MacAusland, 2025.</image:title>
      <image:caption>Dune Grass Wool applique and French knot details constructed from woven wool fabric, new and vintage. Inner layer of wool felt. Sewn with intent to see a glimpse of the dark green felt when rolled. The Housing Shortage Wool appliqué hermit crabs; flocked doll head; stitched felt can and felt lightbulb base; embellished with buttons and beads A shortage of seashells resulting from the souvenir seashell trade and collectors is revealed by the hermit crab resorting to alternative housing; a doll head, food tin and the base of a light bulb.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/69fc7ff08fb6965673428224/dbae3768-6950-40f8-9fbe-37144ac01c7b/lucus+2025.webp</image:loc>
      <image:title>Exhibits - 60th Anniversary Of the PEI Crafts Council - Intersect. and Pool. Lucus MacDonald. 2024</image:title>
      <image:caption>Intersect. Walnut wood, hand carved, 2024. 38.1 x 29.2 x 3.8cm Pool. Walnut Wood, hand carved, 2024. 48.2 x 4cm Humans are pattern seekers. It makes traversing life easier if we’re able to predict what’s coming. We’re drawn to patterns for safety, and so patterns have become a comforting sight. I’ve grown particularly interested in the patterns that water creates. Rain drops in a puddle, light refracting through a glass of water, or the shimmering light off the surface of water on a sunny day. There's so much information packed into these fleeting moments. I wish to capture the liminal beauty hidden in these transient moments that catch us off-guard. Through my wood carvings I attempt to document these ephemeral events that are easily missed in our typically humdrum lives.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/69fc7ff08fb6965673428224/53ed8ece-0cae-4f7c-a243-42eeba9f5284/rilla+2025.webp</image:loc>
      <image:title>Exhibits - 60th Anniversary Of the PEI Crafts Council - Meta Weave: Small Pattern and Cordage Composition 1 and 2. Rilla Marshall, 2025.</image:title>
      <image:caption>Meta Weave: Small Pattern Handwoven using supplementary weft; plant-dyed cotton yarn and cloth cordage Cordage Composition 1 and 2 plant dyed cotton yarn and cloth cordage handwoven</image:caption>
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      <image:title>Exhibits - 60th Anniversary Of the PEI Crafts Council - Sweet Nectar. Noella Moore, 2025.</image:title>
      <image:caption>Mi’kmaw quillwork; porcupine quills, birchbark, sweetgrass and sinew</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/69fc7ff08fb6965673428224/fb876d0c-5c47-46cb-b62e-d9020e6a3113/cathy+2025.webp</image:loc>
      <image:title>Exhibits - 60th Anniversary Of the PEI Crafts Council - Murder at Dawn. Cathy Murchinson, 2025.</image:title>
      <image:caption>Traditional Glass Dimensions 3 ¼" deep x 25 ¾" high x 18 1/" wide I have always been fascinated by crows and Ravens. I have a family of crows that live on my property in Point Prim that come to my bird feeders and they provide endless entertainment. I wanted to capture their distinct silhouette against the subtle morning sky as they make their way through the trees. Their noisy cawing sound announcing the start of a new day.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/69fc7ff08fb6965673428224/672b4431-3988-4e49-bdd9-fcebeed530c6/julia+2025.webp</image:loc>
      <image:title>Exhibits - 60th Anniversary Of the PEI Crafts Council - In Marsh and Fen. Julia Purcell, 2025.</image:title>
      <image:caption>Lino cut print. 13” x 16“ I became fascinated with the challenge of depicting a PEl marsh and fen, inhabited by the elusive American Bittern. I imagined them gracefully wading among the tall narrow leaves and reeds, stirring gently in the low colored light of evening with shimmering water and reflections. I considered titling this print the "Myth of the Tryon Bittern" as these birds are rarely, if ever sighted on PEl, likely due to habitat loss. I do love marshes and all wild spaces.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/69fc7ff08fb6965673428224/9a7d6cb6-855f-448b-af06-ac78c279a67d/susana+2025.webp</image:loc>
      <image:title>Exhibits - 60th Anniversary Of the PEI Crafts Council - She/Her. Susana Rutherford, 2025.</image:title>
      <image:caption>Traditional Stained Glass with fused and painted details. Dimensions: 24.5" x 24.5" She/Her is one of a series of five panels made with funding from Innovation PEl to address the topic of gender-based violence. Transgender women are 4x more likely to be victims of violence. Continuing to support existing laws that protect transgender people and affirming their equality and rights has become more important as those rights are being lost or removed globally. The quotes used in the piece are from, Connie Merasty a two-spirited member of the Opaskwayak Cree Nation, Laverne Cox an American actor and Judge Ana Reyes who recently ruled on an executive order in the U.S to prevent transgender people in the U.S military. Her remarks included the recognition of over 30 variations of biological gender.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/69fc7ff08fb6965673428224/86e66cc9-f313-4adf-84cf-1b896913cc5f/nora+2025.webp</image:loc>
      <image:title>Exhibits - 60th Anniversary Of the PEI Crafts Council - Swirling Star. Nora Richard, 2025.</image:title>
      <image:caption>Mi’kmaw basketry; natural and dyed reed, seagrass</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/69fc7ff08fb6965673428224/bcb7ac28-456c-42b1-af9f-c9534a75f330/ian+and+daphne+2025.webp</image:loc>
      <image:title>Exhibits - 60th Anniversary Of the PEI Crafts Council - Water Craft Exploration. Daphne Large and Ian Scott, 2025.</image:title>
      <image:caption>Clay, canvas, leather Ship’s hull 17” X 12” width – height is 25” with sail A whimsical look at the possibly early European explorers from L’Anse aux Meadows who it is believed travelled into the Gulf of St. Lawrence, based on the discovery of beech nuts at the Newfoundland archaeological site, a species native to more southern climes. A new study of wooden artifacts found at the Newfoundland site shows that Vikings lived, and felled trees, on North American soil during the year 1021 C.E., added to the earlier archaeological finds there. All of this evidence to support the Vinland Sagas, of discovery and exploration of Vinland by Erik the Red and others, is fascinating. The item is also a play on the related terms of craft – watercraft, and the shared community that craft has become over 60 years on Prince Edward Island. Having been personally involved for many years, individually and as a family, the figures are symbolic of both community and of family. The role that travellers to PEI have played in sustaining employment, and development of a craft industry locally is also suggested by these early visitors to the Gulf of St. Lawrence. Hand built clay, bisque fired with portions being glazed and fired a second time. The unglazed portions are reflective of the red cliffs of PEI. Sail was sewn on a sail maker’s treadle sewing machine and dyed with PEI clay.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/69fc7ff08fb6965673428224/5ea92d9d-0f2c-4554-89db-7b131a8c14ba/shweta+2025.webp</image:loc>
      <image:title>Exhibits - 60th Anniversary Of the PEI Crafts Council - Daisy Flower Square Throw. Shweta Seth, 2025.</image:title>
      <image:caption>Crochet; cotton and acrylic yarn</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/69fc7ff08fb6965673428224/ac59fbc2-c460-4415-9d52-24e98a4a4fd6/lisa+2025.webp</image:loc>
      <image:title>Exhibits - 60th Anniversary Of the PEI Crafts Council - Sunset Storm I and II. Lisa Steele, 2025.</image:title>
      <image:caption>Raku pottery 18cm (7") high x 13cm (5") diameter and 17cm (6.5") high x 14cm (5.5") diameter These raku pieces use burnished clay and ferric chloride acid to evoke the sensor of movement within natural turbulent flows of fluids, with layering evoking a sense of depth and motion as in storm clouds at sunset.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/69fc7ff08fb6965673428224/35fe9298-acc9-4692-bb52-a43a5619b9a0/ayelet+2025.webp</image:loc>
      <image:title>Exhibits - 60th Anniversary Of the PEI Crafts Council - Orbiting and Infinite Floral. Ayelet Stewart, 2025.</image:title>
      <image:caption>Orbiting Enamel and graphite on copper dome; hammered and stamped sterling silver embellishments Infinite Floral Enamel and graphite on copper dome; hammered and stamped sterling silver embellishments with hand-built and cast sterling silver leaves.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/69fc7ff08fb6965673428224/d9e58942-108e-457d-bdca-5cfa2b43289d/gilles+2025.webp</image:loc>
      <image:title>Exhibits - 60th Anniversary Of the PEI Crafts Council - Unwritten Dreams. Gilles Tougas, 2025.</image:title>
      <image:caption>Hand-bound books; book cloth, 24lb Neenah paper, adhesive. Unwritten Dreams is a mobile of handbound books. The mobile contains 30 tiny hardcover books are 1.25 inches or 0.75 inches in size. The tiny books are made using the complete bookbinding process a book of a larger size would follow. Each tiny book has a hand painted cover and contains 24 lb Neenah paper with a linen finish. The "frame" of the mobile is a large cloth bound book. The cloth for the cover of this book was purchased and treated to become book cloth. The book contains 24 lb Neenah paper with a laid finish. The pages have been put together with adhesive to form the solid structure which the tiny books hang from.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/69fc7ff08fb6965673428224/c45d10eb-8044-4f72-892b-4c6aeff068d3/heather+2025.webp</image:loc>
      <image:title>Exhibits - 60th Anniversary Of the PEI Crafts Council - Maple Leaf Forever. Heather Walker, 2025.</image:title>
      <image:caption>Hand-painted falling leaves on Habotai silk Inspired by Alexander Muir's 1867 patriotic poem, The Maple Leaf Forever, my silk painting depicts maple leaves bravely blowing across the water, a symbol of Canadian pride, coast to coast. Fallen leaves may cause ripples, but unity prevails. "The Maple Leaf, our emblem dear, The Maple Leaf forever". Alexander Muir</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/69fc7ff08fb6965673428224/3965d910-239a-453f-a7dd-3e6129ae9c94/jane+2025.webp</image:loc>
      <image:title>Exhibits - 60th Anniversary Of the PEI Crafts Council - Entangled. Jane Meredith Whitten, 2025.</image:title>
      <image:caption>Randomly woven discarded deep sea fishing line netted with cold water fishing line Marine wildlife is being negatively impacted by the increasing number of ‘ghost nets’ – abandoned, lost, or discarded fishing gear - which continue to catch and entangle sea life long after fishers have gone home. Entangled is made from lengths of deep-sea fishing line collected on the shores around Halifax, NS.  After some unsuccessful playing around with this challenging material I chose random weaving because I could get some control of it. With this combo there was no way I could make a symmetrical piece and I’m very happy with its more organic form.  The lengths of deep-sea fishing line were collected from beaches around Halifax by a friend who thought I might like them. The (new) blue cold-water fishing line was netted into the woven fishing line. There is a magical translucence to it when it’s lit. It also plays with your eyes as you’re trying to figure out the depth of field, so it feels like it’s moving even when it’s not.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/69fc7ff08fb6965673428224/caa97638-4c63-4d17-994e-c9a5215edfbb/jamilynn+2025.webp</image:loc>
      <image:title>Exhibits - 60th Anniversary Of the PEI Crafts Council - Broken. Jamilyn Wilson, 2025.</image:title>
      <image:caption>Cast “wild” clay; fishing line This piece reflects the internal struggles I've faced over the past few years. From family dilemmas and career decisions to financial challenges and issues with self-esteem, I have often felt broken and adrift. I questioned my worth and the value of my efforts. I transformed this pent-up energy into my inaugural collection, "Lost @ Sea." This photograph served as a reminder that, despite feeling fragmented, I have consistently managed to reassemble myself. Rather than concealing what I perceive as flaws, I need to embrace my scars and cherish my beauty marks. They not only define who I am but also represent my experiences and interactions with the world around me.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/69fc7ff08fb6965673428224/7b2770bd-64b1-4e53-9907-1cadf8ead44b/keith+2025.webp</image:loc>
      <image:title>Exhibits - 60th Anniversary Of the PEI Crafts Council - Layered Rings and Things Box. Jewellery Chest. Keith Wornell.</image:title>
      <image:caption>Box - Jatoba &amp; Maple woods turned with multiple precision lathe mountings 6 drawer jewellery chest of sapele and maple, with wrap around grain design.  Hand finished with oil and wax.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/69fc7ff08fb6965673428224/8102fc8d-1a04-4195-9d81-685e880946ac/bette+2025.webp</image:loc>
      <image:title>Exhibits - 60th Anniversary Of the PEI Crafts Council - Red Door. Bette Young, 2025.</image:title>
      <image:caption>Traditional rug hooking; hand-dyed wool and wool yarn I hook rugs in a traditional style, inspired by the rich colours of Prince Edward Island. I hand dye most of my wool, and enjoy the challenge of creating what I love the most - old homesteads and colourful landscapes. My approach is simple and stripped down, allowing the viewer to fill in the story. Having created dozens of landscapes over the years, Red Door was a fun challenge to showcase my rug hooking style, in consideration of this special exhibit for the PEl Craft Council.</image:caption>
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    <loc>https://circle-pelican-fb63.squarespace.com/exhibits/new-definition-of-home-exhibit-confederation-art-gallery-charlottetown-october-16-2025-jan-16-2026</loc>
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    <lastmod>2026-07-22</lastmod>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/69fc7ff08fb6965673428224/83860767-2b75-4e1d-a336-0b770bf700d9/IMG_9759.jpg</image:loc>
      <image:title>Exhibits - New Definition of Home Exhibit - Make it stand out</image:title>
      <image:caption>The Artistic Crafters:</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/69fc7ff08fb6965673428224/6426e7b6-e124-4a43-93d9-686107d41421/IMG_0895.jpg</image:loc>
      <image:title>Exhibits - New Definition of Home Exhibit - James Aquilani When I moved to PEI, I was thrilled to see that beach parties are still a thing! The guitar strings represent the instruments and musicians, and the blue marble represents the ocean. Kitchen parties, an Atlantic Canada tradition, are casual and intimate social gatherings with music, dancing, food and good company. A blast! These pieces capture the kitchen party magic with mixed metals representing the organized chaos of people, pets, food, and instruments; the diamonds and blue bulbs represent the stars and the ocean.</image:title>
      <image:caption>Kitchen Party (2025) (necklace and pendant) Sterling silver, brass, copper CZ diamonds, blue trail camera bulbs and guitar strings; cold-connection and soldering Beach Jam (2025)  (ring) Copper, sterling silver, vintage marble, and retired guitar strings Island Skies (2025) (earrings) Sterling silver, copper, brass, retired guitar strings, CZ diamonds, trail camera blue bulbs; soldered and cold-connected</image:caption>
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      <image:title>Exhibits - New Definition of Home Exhibit - Ruth Aquilani</image:title>
      <image:caption>Canada is my home; Scotland is in my blood. Reading the sentiment that “my heart lies in the land of my ancestors where the thistle grows in the heath,” I wanted to make a thistle quilt. It reminds me of my childhood stays in Scotland, visiting family and exploring the countryside. To me, the scenery of Prince Edward Island is similar to Scotland with green rolling hills, blue blue water and sky, as well as the sense of community. Since moving to PEI, people have been so open and welcoming, and I’ve leaned and shared a lot. This quilt is a tribute to all those wonderful connections made in this beautiful Celtic rich province. Flower of Scotland (2025) Traditional pieced cotton fabric, machine sewn and quilted Celtic Connections (2024) Traditional pieced cotton fabric, machine sewn and quilted</image:caption>
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      <image:title>Exhibits - New Definition of Home Exhibit - Ellen Burge</image:title>
      <image:caption>Diversity reflects the transformation of our communities from the cultural identity of the 1950s into vibrant multicultural spaces shaped by immigration. It celebrates the beauty of belonging and the evolving meaning of home in a diverse and inclusive society. Diversity (2025) Clay, sagar firings</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/69fc7ff08fb6965673428224/9d1e6afb-52d0-491f-bffd-a46a0430bc57/image3.webp</image:loc>
      <image:title>Exhibits - New Definition of Home Exhibit - Ashley Anne Clark Photographs give us a short glimpse into the past. These silhouettes were based on a photo of the artist’s grandparents. This work speaks of our connection to our ancestors but also the fleeting memory of them. It symbolizes the fading past and changing times, as old ways and customs adapt to our way of living in modern society.</image:title>
      <image:caption>Vanishing Portraits (2025) Photograph silhouette, ink, watercolour and repainted vintage frame</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/69fc7ff08fb6965673428224/d0a07344-f614-4d91-a6b5-a21641c83dac/1000014528.jpg</image:loc>
      <image:title>Exhibits - New Definition of Home Exhibit - Nancy Cole</image:title>
      <image:caption>No matter where we go or where we stay, there is always a special chair waiting. Home can be a place of comfort, familiarity, and contentment. The old suitcase hidden under a bed at home, and opened after 50 years, revealed photographs … were they deliberately saved or simply forgotten? Our history, recorded in printed images, is so easily lost after only three generations. (left to right) CU (2025) Vintage photobooth photographs printed on canvas, embellished with copper wire and thread. Murmurations (2025) Double exposure film printed on canvas, embellished with copper wire and thread.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/69fc7ff08fb6965673428224/de783116-edd3-4c60-a5ba-5155cc1f4ac8/IMG_3290-min.jpg</image:loc>
      <image:title>Exhibits - New Definition of Home Exhibit - Jamie Germaine</image:title>
      <image:caption>I am most at home when at the sea - walking the red sand beaches and swimming in the warm waters of the Island’s south shore. The colours and textures of the shoreline feature prominently in my ceramic work and I bring back techniques and collected items from my travels to incorporate in this work. Red Sky at Night and Sea Floor (2024) Clay imprinted with textured Italian wood, grandmother’s lace, and Mexican beach shells; smoke-fired, bronze metallic finish</image:caption>
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      <image:title>Exhibits - New Definition of Home Exhibit - Trudy Gilbertson</image:title>
      <image:caption>I left PEI as a wood carver and, almost 30 years later, returned home as a carver of antler and bone, influenced by art and people from Canada’s North to the South Pacific. My work has always featured wildlife, but after years of being homesick for coastal landscapes, I now look to the ocean for inspiration. Tide Pool (2024) Beef bone, acrylic painted cotton, driftwood, up-cycled vintage frame</image:caption>
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      <image:title>Exhibits - New Definition of Home Exhibit - Jessica Hutchinson</image:title>
      <image:caption>These pieces were made during one of the driest and hottest summers on record in PEI with wild fires burning in neighbouring provinces. This work explores the fragile boundary between shelter and exposure, safety and loss. The idea of home is increasingly unsettled; the changing climate creating tension between familiarity and disruption. Fragile Tension (2025) Stoneware clay and high temp metal; cone 6 electric fired glazes</image:caption>
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      <image:title>Exhibits - New Definition of Home Exhibit - Arlene MacAusland</image:title>
      <image:caption>In early April, Dad would check his seed germination before planting. Mom would offer an old aluminum foil pie pan that she had been saving for this day. The paper towel was wet and my job was to spread out the seeds. The pan was then set on top of the fridge where it was nice and warm for the seeds to sprout. Dad would count the sprouts at coffee time during the week … and that was home! The summer that I was seven, I spent the days making mud pies on the veranda. I prayed to Mother Earth for a hot sunny day to bake them on old wooden shingles. If I added flour, I could get my dog to eat them. This summer, I stirred a three-year old indigo vat on my front deck. I fed her lime and saki and offerings of white cloth. She will winter in my kitchen … and that is home! Rooted Corset and Living Skies Skirt(2025) Wheat grown on doily; thread-resist indigo-dyed cotton organdy. Beach Dress with Pockets (2025) Thread-resist indigo-dyed cotton organdy.</image:caption>
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      <image:title>Exhibits - New Definition of Home Exhibit - Robert McMillan</image:title>
      <image:caption>I pay homage to those who are settling here on the foundations of those that came before, as they put down roots in Canada and start a new life. These newcomers often settle in the old farmhouses nestled in the island’s rolling hills. As the center of family life, these iconic buildings represent our past and are now being filled with hope for a new beginning, in a country miles away from their own. Putting Down Roots (2025) Carved stoneware clay, slip and spray glazes; sectional thrown, cone 65 oxidation fired</image:caption>
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      <image:title>Exhibits - New Definition of Home Exhibit - Noella Moore</image:title>
      <image:caption>I had the opportunity to learn quilling from Cheryl Simon in 2016, starting with the plain star which I still use when leading a workshop. I enjoy doing snowflakes and the L’nu symbol that means “the people”. Over the years, I designed my own pieces using the eight-pointed star representing the eight nations, as well as experimenting with variations of flowers and animals including the eagle that is sacred and brings good luck. Quilling is a part of who I am, where I feel relaxed and right at home. Untitled Samples (2016 - 2025) Dyed porcupine quills, birch bark Quilled Petroglyphs(2025) Dyed porcupine quills, birch bark Quilled Eagle(2025) Dyed porcupine quills, birchbark, beads</image:caption>
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      <image:title>Exhibits - New Definition of Home Exhibit - Cathy Murchison Krolikowski</image:title>
      <image:caption>When visitors come to our island from the hectic world of large cities, they reimagine what home means. Cities offer opportunities but sometimes rob us of the tranquility that nature brings. Remote work and Covid made people take stock of what is important and look to making their home in a place they may not have considered previously. This little house by the sea represents security and sustenance. Little House by the Sea (2025) Fused glass panel in light box</image:caption>
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      <image:title>Exhibits - New Definition of Home Exhibit - Julia Purcell</image:title>
      <image:caption>The motivation of creating a new artwork can begin with a theme. The initial inspiration for this exhibition did provide soul searching and direction. My long connection to this Island home and my concerns around promoting and preserving a healthy natural environment influences all my work.  Birds and their Lyrics (2025) Linocut block prints using multi-block</image:caption>
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      <image:title>Exhibits - New Definition of Home Exhibit - Nora Richard</image:title>
      <image:caption>My ancestors, the Mi’kmaq people, were nomads who moved their homes from place to place, following the fish and clams to store for the long winter. The men fished and hunted, while the women gathered berries, other wild food, and medicinal herbs. The basket that I created - baskets within a basket - is inspired by this tradition. It is designed to gather anything such as berries, nuts, and shells; it is a vessel for collecting and storing supplies for the home for winter. With the false bottom and nested baskets, it is the basket that keeps on giving. A New Version of a Market Basket (2025) Smoked reed and white ash</image:caption>
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      <image:title>Exhibits - New Definition of Home Exhibit - Ayelet Stewart</image:title>
      <image:caption>For the past twenty-five years, this island has been my home - a world apart from the pace of my former life in the bustling city. Here, time slows. The rhythm is quieter, gentler. As an artist, my eye is drawn to the beauty revealed at low tide - glistening shores adorned with ribbons of seaweed and drifting kelp.  If I Was a Mermaid (2025) Jewelry, chased and repoussé sterling silver and enameled copper.</image:caption>
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      <image:title>Exhibits - New Definition of Home Exhibit - Jamilynn Wilson</image:title>
      <image:caption>When this mug came out of the kiln, I immediately turned it on its side and saw the tale of three potters travelling across land and sea from PEI to NL in search of knowledge and adventure. My journey to NL profoundly transformed my approach to ceramics and reshaped how I view my work, leading me to explore the production of art prints. Two Whales (2024)  (mug and photographic print) Wood-fired with whale bone and wood ash, shino glaze</image:caption>
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      <image:title>Exhibits - New Definition of Home Exhibit - Jane Whitten</image:title>
      <image:caption>A calm contentedness comes over me when I smell seaweed … even if it’s rotting, I know I’m home! I’m a wanderer who keeps coming back to the magic of the North Atlantic even though I grew up in inland Australia where the world smelled of warm earth and eucalyptus. The ocean captured me when I spent a year in Maine as a child. Rockweed: At home on the edge (2025) Hand knitted and felted Maritime wool embellished with wool wrapped rings, discarded ping-pong balls, wire</image:caption>
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      <image:title>Exhibits - New Definition of Home Exhibit - Bette Young</image:title>
      <image:caption>One of my treasured themes in rug hooking is capturing old homesteads – usually vernacular houses and gambrel-roofed barns that were common on PEI in the last century. I created Red Barns to give credit to the families who choose to keep these traditional structures on their homesteads, while they incorporate modern architecture around them. This work pays tribute to the families who move to rural PEI, restoring and building around traditional homesteads, helping preserve the architectural heritage of the countryside. Red Barns (2025) Traditional rug hooking; hand-dyed wool on linen</image:caption>
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      <image:title>Exhibits - New Definition of Home Exhibit - Paula Kenny</image:title>
      <image:caption>In the early days of European settlement, the majority of Islanders had their homes on the farm, passing from generation to generation. In recent years, often not even one child will carry on the family farm, leaving the countryside littered with derelict barns. Home is now wherever you can find work and opportunity - often in the big city. Moved to the City (2025) Hand hooked rug, wool fabric #6 cut, wool and synthetic yarns, dyed jute and raffia; rug warp backing</image:caption>
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      <image:title>Exhibits - New Definition of Home Exhibit - Penelope Player</image:title>
      <image:caption>This was originally made for my 13-year-old granddaughter who loves everything black, so different from the soft pastel quilts that I slept under in my Grannie’s back bedroom. The Sawtooth Star pattern became an unexpected metaphor for the complexity and diversity of the world in which my granddaughter and all young people of this generation are making their way. A group of quilting friends, all smitten with the Jane Stickle quilt from the American Civil War, decided to each make their own ‘Jane’ quilts. A Monday evening sewing circle was formed to share fabric and coach each other in making the blocks. Over three years, joys and sorrows were shared, along with fabric and ideas – and we soared above the limitations of our skill levels. Magic happened there! Eighteenth century author Jane Austen wrote novels dealing with the precarious position of women in society and their challenges in finding secure and stable homes. Impoverished after her father’s death, Jane, along with her mother and sister, was similarly challenged, finally finding a home provided by a brother at Chawton Cottage. That stability enabled her to write and the ladies to finish the quilt they had been hand-piecing for years. That quilt, so associated with the comfort of home, is now displayed in pride of place at Chawton Cottage, Jane’s final home. My smaller replica quilt is my tribute. (left to right) When the World Seems Black and White, Choose Your Own (2024) Piece cotton fabric, cotton thread, quilt batting; machine quilted. Jane Stickle Sewing Circle Quilt (2009) Paper-pieced cotton fabric with reverse applique. Contributors: Edie Zakem, Maureen Garrity, Cheryl Doyle, Penelope Player, Helen Steele, Karen Beauregard, Mary Leah Trainor, Jean Steele, and Velda Taylor. (not pictured Jane Austen’s Little Sister (2024) Pieced cotton fabrics, cotton thread, quilt batting; machine quilted).</image:caption>
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      <image:title>Exhibits - New Definition of Home Exhibit - Left to Right:</image:title>
      <image:caption>Carolyn Hodges We find our sense of home and community when we gather to explore creative interests. This quilt is a compilation of blocks made by members of the Modern Quilt Guild. The final piece provides a visual reminder of community and that art can bring people together - it’s all about the connections we make with others. Jean MacKie As a military wife, after each of our ten moves, I woke up in a new home, in a new town, thinking of all my new friends I’d yet to meet, in all of those houses. This quilt was made in the place we now call home - more firmly rooted, at last. I reflect fondly upon the many ways in which we have defined and redefined home over the years. Susan Whitaker My husband was diagnosed with an aggressive cancer. While he slept, I sewed this “mystery quilt-along” not knowing the end product, which reflected our journey through his cancer. I finished the quilt just before he passed; when he saw it, he spoke one word “breathtaking”. When he passed, it changed everything: the way I talked, the way I slept, the way I ate, the way I lived. Our home is now my home. Left to right: Untitled (Block pattern by Elizabeth Hartman) Contributors: Peggy Bethune, Kristen Johnson, Wendy Page, Janet Prentice, Velda Roy, Selina Trainor, Linda Trenton, Cathy Victor. First Light (My Colourful Town) Pieced cotton fabric, cotton backing, bamboo-polyester batting; longarm quilting. Breathtaking (2024) Pieced cotton fabric</image:caption>
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      <image:title>Fine Art &amp; Mixed Media Members - Doreen Foster</image:title>
      <image:caption>horse and maiden</image:caption>
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      <image:caption>lemurs on a branch</image:caption>
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      <image:title>Felting Members - Helen Rowlands</image:title>
      <image:caption>felted tea cozy</image:caption>
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      <image:caption>basket of colored dryer balls</image:caption>
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      <image:caption>view of pottery display at Village Pottery shop</image:caption>
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      <image:caption>blue teaport with unusual spiral lid</image:caption>
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